It won four Academy Awards, including Oscars for Australians David Lee (Best Sound Mixing) and Steve Courtley (Best Visual Effects), and brought Hugo Weaving to a new level of international attention. In 1998 big-budget blockbuster The Matrix, starring Keanu Reeves and Hugo Weaving, was filmed across the streets and buildings in Sydney and Chinatown. Photo: Warner Brothers Where we’re headed Hugo Weaving has always been drawn to roles that sit outside the status quo – like Agent Smith in the Matrix series. “ The Portable Door is going to be a thrilling production, and it’s great to see a local company like Story Bridge Films working so closely with the visionary Jim Henson Company,” she adds. “I think we are quite unabashed about our love for the screen business - it’s been fantastic to see True Spirit connect with audiences around the world, hitting the top five on Netflix’s global charts so soon after release. “Russell Crowe (AACTA president) said it – Queensland is leading the way when it comes to production. With Oscar-nominated movies Elvis (made on the GC) and stop-motion animator Lachlan Pendragon up for best short film with An Ostrich Told Me the World Is Fake, Screen Queensland’s boss is thrilled. Ms Gibson, says there’s nothing like being able to play host to the biggest movies in the world. Netflix alone produced four titles, Boy Swallows Universe (in production), Irreverent, A Perfect Pairing and True Spirit. Queensland “rode the wave of record-breaking investment in Australian” drama by streaming services, with SQ supporting projects from Netflix, Stan, Disney+, Paramount+ and Amazon. And every state and territory in Australia has its own unique appeal.” “Sure it’s competitive, but it’s a global market so we compete with territories all over the world for business. “Every dollar allocated to us by the state government delivers over $10 back into the local economy,” she says. She says that last financial year, 45 individual projects delivered investment of $230 million and 5400 jobs in Queensland. Screen Queensland’s incoming CEO, Courtney Gibson, shares the sentiments, as the film and television industry’s awards night, the AACTAs, makes its move to the Gold Coast and aligns itself with the Hollywood awards season. “Not just as a world-class destination to film international blockbusters but more so through positioning ourselves as a leading international creative partner.” “Screen production continues to grow globally, and Australia is reaping the benefits of this incredible opportunity,” she tells The New Daily. In the end, they are all on the same footing, starting from nothing every spring, hoping to turn a few specks of bright rock into a fortune.As someone once said in a famous film – “If you build it, they will come” (thank you, Kevin Costner in Field of Dreams).Īccording to VicScreen’s chief executive Caroline Pitcher, Australia is riding the global growth of screen production. Other than friendly wagers between the miners, the show doesn't crown a winner the miner with the highest yield doesn't get anything special beyond the worth of the gold itself, or are in any advantageous position for the next season. At the end of each season, each mining crew's gold yield is tallied. Said cast includes rookie dreamer Todd Hoffman, ornery pro Tony Beets, young wunderkind Parker Schnabel, and many others over the show's 12 (and counting) seasons, spinoffs, and specials. The audience is with them every step of the way, from the last thaw of spring to the first freeze of autumn, on site with and occasionally in the homes of the show's main cast. Discovery's "Gold Rush" isn't quite a competition series like "The Amazing Race," nor is it quite a lifestyle series like "Chrisley Knows Best." It's something in between, where the men and women of the modern day gold mining industry strive for every last ounce that they can glean from the paydirt of the American and Canadian west.
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